We were certain there would be quite a lot of maintenance with the new workflow, but once it was up and running and everyone knew where everything was, we were pretty much set. QuineCore keeps track of and synchronizes all assets for the editors, while Adobe Team Projects manages the collaborative edit of the projects. And if you’re neurotic like me and prefer to have local files, then you can always download local backups for peace of mind.” It gives you a lot of flexibility to work from wherever you like. “I had used the service for smaller productions but never actually stress-tested it for longform TV and seen how well it works with thousands of files and assets. “When we decided that Team Projects was the only viable way for us to finish Outlier in time, I was a bit nervous,” Berggren recalled. Footage could even be checked directly on set, using mobile devices, to decide if reshoots were necessary - that way Shuuto was able to optimize the entire production process without having to compromise on quality. This combination helped to significantly simplify shared editing, so that everyone who needed to review the material could see it shortly after it was edited, usually overnight. Team Projects ensured that the whole crew could seamlessly collaborate on different sequences and episodes, while the QuineCore cloud service took care of the seamless distribution and synchronization of assets across vast distances. To achieve this, the team made use of various Adobe tools - Adobe Team Projects, Premiere Pro, and After Effects - along with a new Team Projects extension called QuineCore, designed to facilitate production asset management and accelerate post-production. Rough cuts of the scenes had to be edited and reviewed by the directors and producers as quickly as possible without adding unplanned shooting-days to the project. There would hardly be time for reshoots and the feedback loop had to be very tight, so they had to get the workflow right. Solving unique challenges with modern technologyĭue to the COVID-19 pandemic and limited resources, the on-set crew needed to be as small as possible, while also finding an efficient way to collaborate with the editors far away in Oslo. Watch an interview with Magnus Berggren about Shuuto’s innovative production workflow. Here’s how they did it, using Adobe Creative Cloud’s video tools and QuineCore. The team says they couldn’t have accomplished this feat in such a short amount of time without a digital, decentralized workflow that enabled collaboration across multiple locations and automated parts of the production. Outlier, created by award-winning novelist, playwright and rock musician Arne Berggren and writer and producer Kristine Berg (the duo behind Shuuto), sold to major TV services in more than 10 countries, including HBO Nordic. “We started shooting the series in July 2020 and delivered the final masters at the end of October.” “There is an obvious conflict of interest when it comes to shooting in a beautiful but desolate place like Northern Norway, while keeping to a very tight deadline,” explains Magnus Berggren, a post-production editor on Outlier, referencing the challenges that production presented. Outlier, which tells the story of a young female crime profiler attempting to solve a murder committed in the Sami community where she grew up, presented a unique creative challenge: the team needed to shoot eight 45-minute episodes of high-quality drama in the remote north of the Arctic wilderness and deliver the entire series within four months - despite COVID-19. Norwegian film production and development studio Shuuto creates high quality content with international reach on an extremely lean budget, and its latest TV series has been its most ambitious yet. Norwegian film production and development studio Shuuto creates Nordic Noir TV Series with an extremely lean budget using remote workflow, Adobe Team Projects, and QuineCore. Nordic Noir TV series shot and delivered in 4 months from the arctic wilderness
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